Post by Julie on Nov 4, 2006 17:52:28 GMT -5
Walk to Dublin
If I walk to Dublin
'Cause my feet
Oh God are sore
But I’ll show them
I’ve got a girl in my pocket book
And some proverbs
Gonna take it
Take it there
Bulls and curdeling
And something’s happening
I’m property of my family
Gideon tell me where to go
I’m gonna show
Break down your father’s alter and moo
Do a jig
Do a jig
Do a jig
If I walk to Dublin
I’m gonna pass that turquoise lady in her new
Nike flats and something’s flat
I said I need size 10,000 for my ass
Yes
Do a jig
Do a jig
Make ‘em laugh
Do a jig
Do a jig
Hey, make ‘em laugh
'Cause he won’t be coming back
Said, he won’t be coming back
If I make the golden hordes and The Lord needs men
He needs good men
The Lord he needs the U.S. Marines
I said I got 'em numbers in my sheep machine
I got me an electric sheep machine that
Do a jig
Do a jig
Do a jig
Let me plague myself with the west in his head
I said do a jig
Make ‘em laugh
Make ‘em laugh
Make ‘em laugh
Just make ‘em laugh
'Cause he won’t be coming back
'Cause he won’t be coming back
Said, he won’t be coming back
Got it
The drinking test is puzzling, puzzling
The drinking test is puzzling, Marcel
For those that laughed are described both as drinking as a dog
Drinking as a dog face they say was misplaced
We wonder whether the Lord chose a few good men
Whether the Lord chose the U.S. Marines
Tori's description of it:
I don't know why this didn't end up on Boys For Pele. I think that I just got pissed off because people wanted me to make it more commercial, thinking I could make it more like a single by changing its structure, and I didn't want to change on little bit of it. Therefore I just rebelled, and I didn't put it anywhere. We tried mixing it in 1998 during the choirgirl era. But I didn't want to present it as a B-side, so they mixed it, put it away, and I forgot all about it until Mark found it in the tape library while working on this box set. It was mixed wuith the flavor of the choirgirl time, and I think you can hear that when you listen to it-it has a little bit of both Pele and choirgirl. You're hearing it how it wanted to be."
From the A Piano: The Collection book.
If I walk to Dublin
'Cause my feet
Oh God are sore
But I’ll show them
I’ve got a girl in my pocket book
And some proverbs
Gonna take it
Take it there
Bulls and curdeling
And something’s happening
I’m property of my family
Gideon tell me where to go
I’m gonna show
Break down your father’s alter and moo
Do a jig
Do a jig
Do a jig
If I walk to Dublin
I’m gonna pass that turquoise lady in her new
Nike flats and something’s flat
I said I need size 10,000 for my ass
Yes
Do a jig
Do a jig
Make ‘em laugh
Do a jig
Do a jig
Hey, make ‘em laugh
'Cause he won’t be coming back
Said, he won’t be coming back
If I make the golden hordes and The Lord needs men
He needs good men
The Lord he needs the U.S. Marines
I said I got 'em numbers in my sheep machine
I got me an electric sheep machine that
Do a jig
Do a jig
Do a jig
Let me plague myself with the west in his head
I said do a jig
Make ‘em laugh
Make ‘em laugh
Make ‘em laugh
Just make ‘em laugh
'Cause he won’t be coming back
'Cause he won’t be coming back
Said, he won’t be coming back
Got it
The drinking test is puzzling, puzzling
The drinking test is puzzling, Marcel
For those that laughed are described both as drinking as a dog
Drinking as a dog face they say was misplaced
We wonder whether the Lord chose a few good men
Whether the Lord chose the U.S. Marines
Tori's description of it:
I don't know why this didn't end up on Boys For Pele. I think that I just got pissed off because people wanted me to make it more commercial, thinking I could make it more like a single by changing its structure, and I didn't want to change on little bit of it. Therefore I just rebelled, and I didn't put it anywhere. We tried mixing it in 1998 during the choirgirl era. But I didn't want to present it as a B-side, so they mixed it, put it away, and I forgot all about it until Mark found it in the tape library while working on this box set. It was mixed wuith the flavor of the choirgirl time, and I think you can hear that when you listen to it-it has a little bit of both Pele and choirgirl. You're hearing it how it wanted to be."
From the A Piano: The Collection book.
